At long last, our editors have finished work on Faith in the Big House. Our Director Jonathan has just returned from Louisiana, where he met with folks at Louisiana Public Broadcasting (LPB) to lay groundwork for the film’s anticipated screening on LPB this spring. The documentary will then be aired on other public broadcasting stations, as well as at domestic and international film festivals.
On the same trip, Faith in the Big House was screened at Elayn Hunt Correctional Center for 1,000 inmates and then at the Sheraton for former inmates. Interlock was gratified and astounded at the reception and commentary offered by current inmates and those in the free world.
Having Faith This anthropologically-informed social comment on the tug of war between secular and faith-based rehab in America’s prisons is now in picture lock. We were lucky enough last week to house a brilliant Nucoda Film Master, one of a handful of high end systems that color corrects footage and much more to give films their polished look. We will be using these systems to color grade Faith in the Big House. Editing “ExPass” Our crew of 3 editors is plugging away in the A suite, cutting ExPass and working towards an editing script with the recent collaboration of Eleanor Beaton, who spent a decade working with George Lucas’ Skywalker Sound. SITV: Enterprise and the Environment Interlock will soon be shooting a pilot episode of “Sustainable Industrial TV” (SITV). The pilot will be shot at Ray Anderson’s Interface Flor, a recycled carpet producer headquartered in Lagrange, Georgia. The “how-to” format show will feature a pair of comedic hosts and a “green” scoreboard to rate Int
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